originally set up as an outlet for his own work as well as that of his close friends, eatbrain is now set to become one of neurofunk s most daring labels. with its first release featuring jade & state of mind s here we go and audio hypnosis from jade himself on the flip, this budding label has forced people to take notice from the very beginning.
the venom remix ep follows things up in a big way and can be seen as a statement of intent, with four tracks from jade s very own venom lp getting high profile remixes from some of the neurofunk scene s most prestigious names. with a back catalogue already boasting jade, black sun empire, fourward and mindscape among others by only its third release, eatbrain is a label with big plans - and big sounds to match.

this ep takes 3 of fergies finest musical works and hands over the remix responsibilities to more heavyweight names including: pig & dan, reset robot and the mighty king unique! you know what to expect on this one. now its simply a matter of placing it on the turntable and watching the club go wild!

dutch dj day-mar drops het first solo ep on abstract. hard techno at its best. industrial beats at the edge of hardcore this is the ultimate rave record for the big crowd. dont be fooled by the looks of this girl, hard!

big with: joris voorn, raresh. ryan crosson, terry francis, sebo k, laurent garnier, nick curly, sascha dive, deetron, christian smith, radio slave, arnaud le texier, kiki, anthony collins, axel boman ...
uk producer and bass culture regular, mr. g makes a welcome return to the label with his latest three track bonanza, >gs spot!< ep. with last years >extended pain< ep still causing damage, mr. g tweaks and teases our senses once again as he electrifies with both sides of the vinyl release. the vinyl only title track, >gs spot!< sees him stamp his authority from the get-go. its big-room reach is unquestionable as it builds from its opening bongos and hi-hats into an intense number, driven by its demanding horn stabs. having ramped things up from the off, on the flip >new dayz< brings us back down, if only for a moment. like an alter-ego to our a side, >new dayz< opens with piercing bongos. its soothing synth laps like the tide as it builds to crescendo and then soothed by its bassline.

raoul records is very happy to welcome liviu groza for the fourth release of the label. after his china charm ep on cityfox just before this summer, he is back with 3 tracks that fit perfectly with the sound of the label. it certainly has something to do with house and techno, but livius personal touch is quickly modifying our expectations, for the pleasure of our ears. there is an authentic energy in livius work and the a-side track >no love< is a perfect example of that. what starts with a typical filtered techno loop is suddenly brought to another level with a huge melodic bass line and then with two chords that enlight the track with a certain melancholy. the b-side starts with another killer bass line. >the manimals< bass line is a snake that enrolls its body around every other element: a great house groove and an hypnotic piano. liviu is a snake charmer! the 3rd track >mean fine< seems to be the perfect b2 track. what sounds rather quiet and reduced when you first listen to it, turns itself into an efficient old school dj tool with such groovy hats and hypontic vocals once played on a proper sound system!

played and supported by chris liebing, speedy j,perc, tommy four seven, markus suckut, dino sabatini, jonas kopp, dadub, slam, technasia, dasha rush, max m, electric indigo, bcr boys, audio injection and more.
the first vinyl release of the record label was born from the mind and the taste of freddy k. a person with many years of experience, which is currently behind k1971 etc.. in the past, one of the minds of elettronica romana, virus, remix shop .. and one of the producers of the old roman techno scene (see acv records etc. ..). the choice of artists is very precise: new artists who have something to say in the future of the techno scene.the first vinyl release is signed conrad van orton. already known by many producers, djs, radio and magazines that specialize in techno. he has many releases already out with its c.r.s. recordings (along with vsk) and beyond. his style is very modern and innovative.

container is a recent moniker of nashville, tennessee resident ren schofield who has been actively shifting about the u.s. playing shows and releasing cassettes on his mysterious i just live here imprint for a long while now. known primarily for his god willing project, a disjointed, confusing, maze of crude oscillator, tape, and guitar, ren has established himself as a staple in the east coast underground.
here we have a new experiment in electronic beat oriented music. this is no standard fare, however. it glows with a vision all its own, completely isolated and separate making it difficult to place in the awkward world of the genre. the sounds are a thick stew congealing new ideas and naive experiments into something in the ballpark of the new super weird wolfgang voigt 12 inches, abstract and minimal in nature with time stopping tendencies. take those 12 inches and send them thru the garbage can, tape loop, reel to reel experiments of ake hodells >220 volt buddha< or that weird track with lawnmower by charles amirkhanian on the first slowscan volume and we might be getting closer.

soul jazz are issuing this seminal in-demand super-rare boogie-funk-soul album produced by roy ayers originally released on his own independent uno melodic label in 1981.
this incredible one-off album produced by roy ayers in 1981 features the amazing vocal talents of sylvia striplin, one of the featured members of eighties ladies, who the year before had released another seminal release (ladies of the eighties) also produced by roy ayers. striplin was also the vocalist in the classic jazz fusion soul group aquarian dream. sylvia striplins solo album features the two classic singles >give me your love< and >you cant turn love away<. her only solo album – this has been a serious collectors album ever since its original release and is definitely a rare groove holy grail!
soul jazz records are re-issuing this remastered album in its entirety with original artwork, on heavyweight double vinyl and deluxe heavyweight card – even better and louder than the original!

ashford & simpsons return to europe for the first time in 20 years is celebrated with the release of this 16 classic song compilation on limited edition double album. nicholas ashford & valerie simpson are soul icons responsible for gold and platinum hits through the 60s, 70s and 80s for such artists as marvin gaye, chaka khan, diana ross and gladys knight (their solo hits include >solid<). this is the first time many of these have been assembled on one collection, but expansion have gone one step further by combining the hits with seminal disco records like >over & over< (sylvester), the two-step anthem >keep away girls< (stephanie mills), the awesome >california soul< (by marlena shaw, as utilized by kfc), the modern soul smash >top of the stairs< (collins & collins) and an exclusive remix of >aint no mountain high enough< (marvin gaye/tammi terrell).

te next release on double standard is the sonic love child of deniz kurtel, guti and gadi mizrahi. conceived at the dawn of a new year inside the marcy hotel, brooklyn, the way i feel ep- is slow, instinctive mood music, beautiful in its simplicity. floating on a lazy groove, title track the way i feel- sounds like the haze of being in love. intimate, sexy and deep, the sultry voice of a lover caresses layers of spaced- out beats drifting through low-key piano notes, distorted and interlaced with the woozy bassline. flip over to the b-side and the vibe of -3am- is muddier and full of eerie, echoing keys and disembodied vocals. with a bassline raw and impulsive, -3am- is the late night counterpart to the early morning bliss of the a-side. fluid in motion, light traces of techno slowly filter though the loose percussive rolls in spontaneous unison. as an integral member of the wolf + lamb crew and one-time resident at the label-s creative source –the marcy, deniz kurtel has since evolved into one of house music-s most exciting producers, releasing her dazzling debut album on crosstown rebels earlier this year. dynamic argentinian producer guti is known for his grooving, latin-inspired techno on labels such as desolat and supplement facts but this ep-s trip into more languid territory is a pure expression of the accomplished jazz pianist-s affinity for experimentation. through his intuitive operations, wolf + lamb and double standard label boss gadi mizrahi has given a home to a variety of deeper sounds filtered through an alternative vision for house music. -the way i feel ep- is double standard at its unadulterated, sensual best.

the final album by guitar legend glen campbell, including contributions from jakob dylan, paul westerberg, brian setzer, chris isaak, billy corgan and many more. comes with code for full digital download.

mindshakes family first approach takes center stage for its latest release, forward part ii (mindshake 015). with an emphasis on showcasing new talent, label owner and respected dj / producer paco osuna has surrounded himself with three new artist label premieres from newcomers dokser, lorenzo bartoletti and the junkies. with the second release in the forward series, mindshake continues to deliver on its promise to develop the most innovative of artists while providing the world with a first-class experience in contemporary electronic music culture

its fitting that this summer season sees months of culprit planning and scheming come to fruition. a relationship that began almost four years ago, between culprits la crew and parisian native shonky, has finally been realized, with the mercurial frenchman stepping up for his first full culprit release, >oasis<. shonky first ventured to la when droog hosted him on the now defunct terrace space at avalon in late 2007. since then he and culprit founders droog have become close cohorts, sharing the same musical wavelength, having playied together half-a-dozen times at locations ranging from miami, barcelona and los angeles. shonky was finally introduced on the label earlier this year, when he and dyed soundorom collaborated on a remix of lee foss >your turn girl<

breakthough, the production team formed by dj jin, dj ladi dadi, dj masaya fantasista and dj freedom chicken, drops an ep with the track maybe its you featuring vocalist keyco, taken from their 10th anniversary mix cd dedicated to their montly breakthrough parties. laidback, bright and soulful sounds. comes with a remix by yukihiro fukutomi!

chicago a place celebrated the world over for the talent of its musicians spanning across countless genres of music. you name it---soul, funk, rock, jazz, blues, etc. in modern times, chicago’s dance floors have had a worldwide reputation for house music.

another freaked out tune on wirrwarr! this time both labelowners made a homage to their hometown offenbach with a 8 minutes journey of pure energy. the flipside is the perfect complement to >offenbach symphonie<. b1 >zerspannungsmodulator< with its more stripped down drumming and b2 >pouopium< with its cool hypnotic and freaky style. watch out for more release on wirrwarr!

we are happy to announce xdb on echocord dj/producer xdb aka kosta athanassiadis has been djing since the early nineties but its in the last few years that his abilities as a producer have come to fore both through his recordings for labels such as detroits sistrum and francois ks wave music, remixes for norm talley, conforce and patrice scott to name a few, along with the releases on his own metrolux label which he founded in 2006. lately, kosta athanassiadis is garnering the overdue attention of popular writers and fellow musicians. throughout his growing popularity, xdb has kept his identity nearly silent, allowing his music to be unpolluted by preconceived notions that comes with branding ones image. less is more, he suggests, applying the advice to inspiring and established artists. in the end, it was this tactic – of letting the music speak for itself – that cultivated the respect and trust of his fans. recent 2011 releases are his bakfom ep on harbour city sorrow and now followed by the apari ep on echocord. two powerfull dubby tracks by xdb + a fantastic remix by sven weisemann

and the new generation keeps on knocking on the doors! the 2nd release on this small label of some young swedish guys delivering some swampy house tracks. pressed in a edition of 300 copies!

after the success for our first rhythm section re-issue in the form of >coming on strong<, we are pleased to announce number two, a re-issue of the classic cut >atomic bass<. back in 1991 it perfectly captured the mood of the times as a priceless dance-floor weapon. a must have for any serious breakbeat hardcore dj. fast-forward to 2011 with original copies reaching crazy second hand prices, its time for some remix action.

tom giles previous twelve on modern soul saw him flex his muscles as a producer of sample-based wonky disco. this latest release, however, shows him stepping up to the challenge of crafting heavy boogie gems from scratch – with not a sample to be seen. the 12 inch kicks off with colour theory, a memorable mid-tempo number where crisp snares cracking between a lithe synth-line and a funk-bass backbone, featuring alex farrell of the london afrobeat collective on guitar. its a boogie daisy-cutter, packed, primed and ready for dropping on discerning dancefloors.

so, your bowels have just about started functioning properly and the world has finally stopped vibrating after the last bass onslaught from the sludge camp. its going to require gonads of steel to whack up the volume on this latest beast, but we know you never lost your hardcore. nevertheless, as we are a caring bunch at sludge hq, we feel obliged to warn in advance that this latest slab of dubstep pressure from trick or treat is the sort of big tuna that might leave some needing a job lot of nappies and a year off work to recover.

up next on kant recordings is the swedish producer pehr genlogue. from the moment we first heard the demo of >pincer movement<, we knew that the track was special. with its incredible sound of depth defying bass, pulsing synths and dramatic breaks, help it stand out from the crowd. on the remix front we have brought in some of the swedish techno elite.
agaric, who is frantically busy in the aftermath of his highly respected album on ovum, delivers and arena shattering remix. nima khak (drumcode/truesoul) takes the original on a more thought provoking, deeper journey. and to round out this release we have the swedish minimalistic masters, kretipleti, who twist things up and take it dark.

support by: radio slave, okain, phonique, osunlade, spencer parker, shaun reeves, loco dice, joris voorn, sebo k, marco resmann,.. may saw the first release of 2011 and ians own >groove me< ep is also the foundation of pooledmusic 029, as the tracks are reworked by some of ians favourite current producers. first up on the title track is matthew dekay& lee burridge. having ruled the dj and download charts in 2010 with their cecille release >wongel<, and with the launch of their exciting label >all day i dream< imminent, pooledmusic could not have timed it better to bring their friends onboard. the meeting of musical minds and dekays studio know-how has once again seen the pair strike gold. beautifully intricate and yet subtle on the ear, their mix rolls solely of its kick drum for the first four mins. sweeping strings announce its break before the real fun and feeling begins with the drop of the bassline. our next two remixes are fro the hands of berlin based englishma

fresh-faced berlin imprint, casual lab, launch their new house and techno stable with a double track and remix package from a new collaborative force. for casual lab, the italian veteran luigi gori has teamed up with one of its rosters rising stars sin tek aka 28- year-old anis hachemi to produce an infectious techhouse floor-filler. berlin stalwart marc poppcke offers a sultry deep house remix of the pairs debut collaboration for casual lab, dimming the lights and upping the groove to provide a glimpse of the citys smoldering club circuit. gog piaf wraps up the debut ep with another crisp, polished house offering from berlins effervescent pool of untapped talent. informed by nine years of classical training, gog piafs productions blend technicality with a far ranging source of influences and styles enough to charm any dancefloor.

different is extremely proud to present you its upcoming new single >jus acid< from the french, london based producer abstraxion, including huge remixes by jacques renault, in flagranti and cosmo vitelli.
abstraxion is currently one of the most exciting up and coming producer. already garnering critical acclaim from his previous eps, including support from on erol alkan, simian mobile disco… he is also a gifted remixer and is in demand having remixed this year black strobe, hey today!, inflagranti and many others.
>jus acid< showcases abstraxion banging acid techno – building schizophonic basslines on his old analogs synths, ace dancefloor track: >this is just acid<.

this ep takes 3 of fergies finest musical works and hands over the remix responsibilities to more heavyweight names including: alan fitzpatrick, mr henry von and the mighty cristian varela!
you know what to expect on this one. now its simply a matter of placing it on the turntable and watching the club go wild!

tartelet laber manager emil margetli and copenhagen dj stalwart mathias mesteno make up this newly formed duo. the two of them have been djing together for years and share a mutual interest in vintage electronic music.
enter the muff : this warm, bumping and decidedly sticky affair will suck you right in and never relinquish it vice-like grip until the very last compressed 808 clap has been shot out the love canon. its an a-side with the word builder written all over it. laced with heavy sub bass, organ licks, cooing soul vox and rides galore, this is intense, classic house that will provide the dance floor with an elegant slap upside the head.
steady muffin : on the flip, muff deep arms itself with piano licks, lush, organic percussion and all-out, good-time party vibrations. this track embraces everything that is summer from balearic atmospherics, over your favourite childhood sunset, to italo and straight-up disco.

next up on the label is this brilliant two-tracker from instra:mentals jon convex. serving as a taster of his forthcoming debut solo album its a hugely impressive 12 inch with both sides demanding your attention. theres a nice old skool eerie, electro feel throughout and the tracks manage that nifty trick of sounding like something from the past and the future at the same time.

suicide dubs sister label league of the shamed is something that will scare the life out of you! this filthy 12 inch comes with two disturbing tunes from label owner high ranking and one part of the hench crew wedge. >escape from the hood< is soul destroying experience, with the calm before the storm this one drops hard! with its big tearing bass and crazy drum edits this one is gonna hit where it hurts! >puppet master< brings a eerie, spooky feel to it, this is halloween with sub! with its rolling growling bass that sits nicely under a haunting piano riff, this is a must for anyone who likes it dark!

liverpool is the second release of monkey safaris new mambo label. its a two track ep with a lot of housy monkey fun... as usual. the two tracks, liverpool and berlin are absolutely floorburner, with great, prominent vocalparts and hooklines and big techy grooves. its some kind of that stuff you like it or you hate it... but a lot of big artists love it and play it. played & loved by super flu, riva starr, round table knights, solo, zombie disco squad, rene bourgeois, sascha braemer, mihalis safras, yolanda be cool, olivers, jesse rose, malente and many more

having just celebrated its 50th release with photeks >closer< 12 inch, tectonic moves straight into bold new territories, introducing a new artist to the label: namely distal from atlanta, usa. his approach to music production is refreshingly dynamic and eclectic, taking elements of the familiar and making it sound obscure while injecting plenty of energy and dancefloor savvy throughout his productions. this first single for tectonic brings together two very contrasting pieces of music, both in terms of tempo and attitude.

one of the stand out moments and most in demand club tracks from the simon baker >traces< album returns in remixed form, alongside the vinyl edit of simons original. its taken us a while to get pokerflat head honcho and all round german house music legend steve bug on board for a remix, but its worth the wait as he delivers a lesson in refined, deep house music. next up burnski and robert james deliver a mammoth, hypnotic jam that twists and turns for 10 minutes and still leaves you wanting more.

sold out !!
with his debut release on co-owned smallville label stefan marx presents an exclusive poster collection coated inside a gatefold 12inch cover sleeve. giving the smallville shop and label a visual face since the very beginning stefan marx created hundreds of posters and partyflyers, painted the shopwindows regularly and set up every single record cover. now its the time for himself to release an extraordinary smallville issue in 12inch format. three posters (each has the size of 90 cm x 60 cm) including a first appearance of his band project the dead sea (aka stefan marx, rvds, lawrence and birte löschenkohl). smallville 25 is a collaboration with nieves, the zürich based publishing house of stefan marx and some all-time favorite contributors such as kim gordon, mike mills, mark gonzales and wesley willis. stefan is working with nieves since 2004, publishing books and zines on regular basis. the smallville release is dedicated to ariel pinks haunted graffiti, probably the best band in the world. (besides the dead sea watch out!)

its impossible to describe without metaphors what happens when listening to the debut album >behaving like a widower< by yoko duo. holger zilske and august landelius draw bright paintings withcool colors, framed by a mosaic ofdelicate glitches. this music comeswithout any irony or cynicism. thisalbum guarantees a prominentplace in the gallery of soulful legacyof the electronica genre for the yoko duo. vinyl tastes better.

some may have thought the trail was cold, but battant (chloe raunet and joel dever) have just been running as far as they can. not running away from something, just keeping on moving. from the headless wave of their first lp, towards the strange shores of their second album, as i ride with no horse that is produced by its a fine line (aka ivan smagghe & tim paris) and will be released worldwide in october 2011. first glimpse: shutter. this is one of the many places where they now stand. a dry, sparse yet catchy romp. on their own edge (between early cure and meth country if you need ready made tags), electronics still dance in the corner, reigned in by the sharp its a fine line (tim paris & ivan smagghe) production. the live take of clearcut is what it says. ghosts in the machines, spookiness never in vain, this is a real song. the idea of a cover of westbam and nenas classic old school, baby had been in the mind of the team for a while. this track is a part of our history. not an easy tackle but we like to think they have made the anthem theirs. going beyond the anecdote, here is a seriously rocking wink with early support from optimo, james holden, tiga, chloe and more.

already played by sven väth, seth troxler. joris voorn, tiefschwarz, reboot... the london resident ross evana already excelled as dj at pacha nyc, at ministry of sound london or in the we love space series in ibiza. his track >thrilla in manila< first takes its time to build up before it sets a tremendously powerful exclamation mark on the dancefloor with its tropical-hypnotic percussions. with its second track, the ninth edition of cocoons 10 inch -series leads us to the land of the midnight sun. the two stockholm-born cousins alex caytas and aleks patz have started their musical collaboration only in 2007 but can already look back on a hand full of very good produced releases for the stuttgart-based label parquet recordings and the italian label caremella, as well as on remixes for martin dawson/king roc and voltique. >blue sea< shows the duos affinity to the energetic deep house techno of the nineties: with its organ sound, blues vocals and a highly infectous bass line, this track could almost pass as a modern and uncluttered version of st. germain, being predestined for warm summer nights. this is how techno sounds in 2011.

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

with influences ranging from early house and disco to turntablism and techno, dallas, txs brett johnson successfully straddles the line between knowledgable >thinking mans< dj and genuine, primal floor-filler. bretts sound is best known as groovy, bumping house with a hearty dose of techno elements, crafted and mixed in a way that is truly identifiable as his own. over the past ten years brett has released serious, futuristic sounding house music on numerous labels including classic, freerange, lazy days, and bretts own aesoteric and bang the box imprints. denvers full flavor music is honored to have brett on board for its latest release, the someday ep.

luv jam, maxim lany, katorski, scott ferguson are the peeps doing good here! lany records with its 2nd release! on the a-side warm vocal house with a jazzy vibe. on the flip deep, darker, menacing dancefloor grooves! just like the first lany this one will be a steady choice for many!

dompteur mooner, finder and keeper of the obscure was responsible for several series of well picked compilations such as kranke musique ist schön, elaste (on compost records) and dottores kranky disco band. with his imprint super tahoe, this is the second edit ep with rusty rock hits, pumped up kosmische and proto techno called greatest hits. enjoy this limited edition of 500 while its there - coming in a nice 4c sleeve as always!

returning to the kitchen after an over extended jaunt in the bathroom, the sound diggers grant us with another slap happy handful of flavor with their new piece entitled >dont flap just jack<. here at flapjack we do encourage everyone to wash their hands before returning from the bathroom to the decks. with the nasty low down n dirty grooves that are all over this ep, i am not so sure the sound diggers washed up very well, or at all. as we say in the business, when you get dirt in your salad, eh, its just a lil flava.

following the radio and chart smash >bounce< feat. kelis, calvin harris releases his storming new single >feel so close<. whilst >bounce< featured vocals from superstar kelis, >feel so close< features vocals by calvin himself. the single is indie meets dance and whilst having the usual catchy hit factor of a calvin harris single, it has an anthemic euphoria in its feel good chorus and echoing guitars and drums. already premiered on pete tongs radio1 show last week, it is most definitely set to make crowds ecstatic from the dancefloors of ibiza to the festival crowds of creamfields and big chill and is sure to be one of the anthems of the summer.

hand stamped and numbered - limited to 300 copies worldwide!
given the challenges of todays music market, its a fairly bold statement for an indie label to come out of the box with not one, but two vinyl only releases by an artist with no profile to speak of, but here black light smoke proves worthy of the faith being placed in him. sat001 switchback/black stripe is all old school drum machines, tape-hiss, heavy footed disco kicks, acid-a-plenty and funk-to-spare, but the tracks transcend the rawness of their roots to achieve a modern, club-ready edge with retro flair.

red007 sees pushing red taking a slightly different turn with more of a juke style release. (greek - known as dimitri) buckles down with a with what could be called as a fusion of juke, ghetto house & footwork to outstanding results. the sharp 808 kicks and bassline pulsate throughout the tune while a sharp vocal sample cuts through giving the tune that much more punch! flip over for the wonderful ikonika remix. ikonika has really taken this tune and given it her own feel and appeal. turning the stormer into more of a halftime/ house feel, its hard to put to words the outcome. its ferocious & melodic and all wrapped up with that signature ikonika feel! one you just have to hear!

raf pisani and marco conte, aka audiomatiques, have long been involved in techno but its since they began working together as audiomatiques that everything began to click. together with roberto capuano, an artist who has already released for loose, claque musique, monique musique and suara, the duo have delivered 3 sterling tracks, which are backed by a remix from rino cerrone, for loose. cerrone takes full advantage of his position as label boss and places his remix of >so bad< in pole. its a walloping but low slung affair riddled with hypnotic rises and false drops which build incredible tension. in original form, >so bad< is a pounding affair. the focus is centred around an unholy bass heavy kick with just the minimum of percussive flourishes and vocal effects doing the rest with aplomb. >mind trip<, while equally as heavy, is fluid and slick. swinging tribal vibes and some clever effects work paired with an airtight arrangement makes for a surefire club burner. finally, the bizarre yet compelling leads of the aptly titled >crazy synth< close proceedings with a fever-dream fervour. original and memorable, this is a genuinely anthemic cut.

played by ricardo villalobos ... a vinyl only release on bang bang! by 2000 and one. 90ties feeling what can you expect.. this time its an ode to two of houses alltime legends, two banging house-tracks to jack the dancefloors and move every crowd! 90ties techno-house feeling

tronic continues its roll out of summer bombs with the >origin / freed< two-tracker from dosem, an artist who has previously made a name for himself with sterling output for technasia sub-label sino. >origin< is the first of the two tracks and it opens proceedings with an epic, synth heavy vibe. filtered, impeccably programmed drums gently unfurl into a persistently padding groove that kicks on a big system. as the track opens up to drop, metallic synth chords shimmer out of the groove and deliver a massive punch. the intensity grows continually throughout and the melodies are pushed to their maximum, making this an unashamed anthem. the flipsides >freed<, while more heads down than its counterpart, is certainly no shrinking violet. driving drums are topped with long, building vocal screams and rising synths create a feverish atmosphere that, added to a pulsing and brutish bassline, goes off.

closely related to underground resistance, scan 7 is a mysterious detroit underground collective gathering seven artists. the group is most famous for its ninja like appearances, often dressed in black with black masks and hats, the use code names to protect there true identification, they believe its not who you see, but what you hear that is the most crucial element in techno! associated with such labels as underground resistance, soma & f communications, scan 7 via their own imprint have brought together a double cd of detroit influenced techno.
and ... this is the fourth sampler from their album >techno brings people together<.

it has been in the pipeline for a while, but its finally here. the debut release from nijmegens underground house & techno collective eshu. they have been working and shaping their sound for over a year and gained quite the following on soundcloud for their relentless output. its deep, its slow, its really dirty and its to put your finger on.
two tracks will be released on wolfskuil ltd as a taster of whats to come. >naturally divine< is 14 minute electronic monstertrip with curious offbeat rhythms and detailed & mindblowing sounddesign. it builds tension without ever releasing into climax, making time fly by and 14 minutes seem way to short. >monrovia< on the flip is a nice contrast, but again this techno groover stands out through its unique choice of sounds, synths and layers.